Experiments in Sex Sense, Fuck Machine

“Be free, come as you are. Nothing is a sin. Nothing is forbidden. You are everlasting love and fearless pleasure. We are here to witness the freedom and the beauty of you, so abundant, so pure and so radiant.”
For this performative installation I set up a fuck machine inside the shape of a pentagram drawn on the floor, along with a plentiful variety of dildos and lots of lube. Two audience members decided to activate this piece full on. One of them was coerced with a monetary compensation. One of them reached an orgasm.

Resurrection of the Unholy Star.
The Houston Foundry. Houston, Tx. March 2016.
Curated by Julia Wallace and Evan McCarley.
Documented by Ronald Jones.

Fmachine1

 

 

 

 

 

 

 

Fmachine2

 

 

 

 

 

 

 

Images by Craig ArrMutt

A Most Powerful Adversary

The letters “IS IS” were written on my butt cheeks.
They did as they pleased for 5 minutes.
It was ok and not ok.
——————–
Documented by Ronald Jones
Performance Art Night, Notsuoh
November 2015

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Adversary0

 

 

 

 

 

 

 

Images by Ronald Jones

Performance Artist For Sale

Performed at Full Buck
Documented by Ronald Jones
Additional Footage by Ted Viens
Featuring Ben Corley as “Business Representative”
Facilitated by Continuum
El Rincon Social, Houston, Tx. July 2015

Performance Artist For Sale 1

 

 

 

 

 

 

 

Performance Artist For Sale 2

 

 

 

 

 

 

Performance Artist For Sale 3

 

 

 

 

 

 

 

Images by Alex Barber

Candelabrum

Performed at Subliminal Fixtures
Documented by Ronald Jones
Facilitated by Continuum
January 2015, The East-Klectic, Apartment Gallery/Airbnb, Houston TX
Approximate duration: 30 minutes.

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Candelabrum

Images by RC

Doormat Syndrome

Performed for Inside)(Outside
Curated by PerfomanceSW, Courtney Brown and Alison Starr.
Documented by Christian Vasquez and the artist.
Spotplus, Dallas TX, August 2014
Approximate duration: 40 Min.

 


Image: Chris Moezzi


 Image: Andi Harman

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Images: Christian Vasquez

Closer

get close to me and I’ll get close to you,
CLOSER than you expected to be,
through any sense but sight and speech,
as far, as long, as naked as we want to,
you don’t know that you already know me.

Performed during “Submission” by Continuum
Duration: 3 hours.
Documented by Baltazar Canales and Ted Viens
Continuum Headquarters (Summer St Studios)
Houston, TX. September 2013

Images Courtesy of Jet Liam

Images Courtesy of Dean Liscum

Foliate

Untitled feelings and recycled thoughts,
soon they will become new species commemorating
your rustic walls and floors and windows.
I will fall ill if I do not inhabit you.

Continuum Live Art Series
Documented by Ted Viens
Avant Garden. Houston, TX. March 2013

Images courtesy of Hilary Sullane

 

My Filthy Self

A performance about impurity.
Continuum Live Art Series, Fourth Night.
AvantGarden, Houston TX. March 2013.
Documented by Julia Wallace

Images courtesy of Hilary Scullane

what makes you feel at ease

What is your best childhood memory?
What would make you the happiest person in the world right now?
Where would you like to go for vacation this summer?
Which was the best day of your life?
Who is your best friend?
What is your favorite love song?
What is the nicest thing someone has done for you?
What is the most beautiful thing you have ever seen?
Which of your dreams have come true?
When were you kissed for the first time?
Who do you love?
Who loves you?
What makes you feel free?
What makes you feel at ease?

Continuum Live Art Series, Third Night
AvantGarden, Houston TX. January 2013
Documented by Julia Wallace

Images courtesy of Hilary Scullane

Minotaur Blues

I used to think that death was a gift, that it was there for a reason,
but now that it keeps knocking on my door….
this shit is too much, it runs through my veins like a fucking virus.

I used to think that suicide was romantic, you know….. like Romeo and Juliette.
but now I know its a fucking act of cowardice.

(A performance about loss and healing, dedicated to Daniel-Kayne and Roscoe)

Continuum Live Art Series, Opening Night.
AvantGarden, Houston TX. November 2012
Documented by Baltazar Canales and Ted Viens


Image courtesy of Steve Patlan


Image courtesy of Hilary Sculllane